Monthly Archives: December 2011

The Artistry with Light

From time to time, I host a café meet up and talk about photography. Today, a group member asks a very basic question that others seem too shy to bring up. He wants to know the definition of photography. ”It’s an art to capture a subject by using camera and lens as a medium,” one replies. “It’s a way to document time and space,” says another. Everybody has a different definition and they’re all correct. However, it seems that everyone in my group forget the most important ingredient in photography—light. According to Merriam-Webster, photography is defined as “the art or process of producing images by the action of radiant energy and especially light on a sensitive surface (as film or a CCD chip).”

What do you find when you look at your camera, any camera, film or digital? You find settings that regarded to light, correct?. ISO setting is used to determine the sensitivity of photographic films or digital imaging sensors to light. Shutter speed is used to control the duration of light allows to reach the negative or image sensor. While the aperture is used to manipulate the amount of light reaching the negative or image sensor. Since these settings work in conjunction with each other, they’re equally important when it comes to producing a well-exposed photograph.

Canon PowerShot G12 - Mode and ISO Dials 2011 © Optical Collimator

Many beginners often overlook the ISO setting, thinking the Auto ISO will give them the peace of mind. I think differently. I think that the ISO is the most important setting and it is always the first I check each time I pick up a camera. When I see a sharp edge shadow—I’m a hardcore old schooler. I don’t look at the light but I look at the shadow to see my light—I would set my ISO to the lowest setting. With a soft edge shadow, my ISO would be set in the range of 250 to 400. ISO 500 to 640 would be set for shooting in shading areas while 800 to 6400 would be used for evening, restaurant and night club scenes. To control the duration of light, my reference for shutter speed settings is based on two factors—the focal length of the lens on my camera and the light sensitivity that I set by way of the ISO setting. Say, I’m using a 35mm lens and my ISO is set at 640, then I know my safe the slowest shutter speed is 1/30 and the highest is 1/640. Aperture settings are often based on the dof which I want to achieve but I rarely set the aperture at its widest f/ stop—unless I really have to. Often, f/5.6 is my choice for street shooting  and f/2.8 for portrait.

Keep in mind, my friends. Photography is the artistry with light.


Canon PowerShot G Series Timeline (2000-2011)

Eleven years ago, the first Canon PowerShot G1 was introduced to our digital photographic world. It was armed with a 3.1 effective megapixels, a 3x 34mm – 104mm optical zoom, large f/2.0 – f/2.5 aperture and a 1.8″ flip-out & tilt LCD screen. Street price was set at 1,100 USD.

The PowerShot G2 came in August 17th, 2001 with a 3.9 megapixels CCD sensor. this time, Canon added Evaluative Metering mode, AE Program Shift, Manual Focus Zoom, Histogram, Selectable Focus Area and more features in Color Exposure mode. Price tag, 899 USD.

In September 2002, Canon rolled out the high end PowerShot G3. The third G model featured a 4.0 megapixel CCD sensor and a 4X optical zoom lens for a maximum aperture range of f/2.0 – f/3.0. It also housed a new Super Intelligent (SI) sensor that calibrated the variation between images taken vertically or horizontally, along with iSAPS technology, which controlled AF, AE and AWB by analyzing the photographic subject. Beside the 1st-curtain and 2nd-curtain Flash Sync Selection, the G3 also featured a wide range of shutter speeds from 15 seconds to 1/2000 and a built-in Neutral Density (ND) filter, enabling the creation of background blur and flash photography at macro distances. The newly developed DIGIC signal processor featured a far greater processing ability than general purpose processors, easily handling a huge amount of image data captured by CMOS or CCD sensor. 799 USD.

In June 2003, the 5.0 megapixels G5 joined the market with the same price as the G3. Then, the 7.1 megapixels G6 came in Agust 19th, 2004. The LCD screen was replaced with a 2″, 118,000 screen dots. Comparing to the PowerShot G5, the G6′s startup and its autofocus was much faster. It’s also about 10% smaller than the G5. New features on the G6 were Safety Shift, Auto/Manual Flash Adjustment, Reverse Display and RAW+JPEG size selection. Price tag was 100 USD less than the Canon PowerShot G3 and G5.

Three years later, the Canon PowerShot G7 kicked up a fuss with the loss of RAW mode and the vari-angle LCD screen. The 10 megapixels G7 was sold for around 480 USD in 2006. Although the G7 was loaded with the new DIGIC III technology and more features than the G6, Canon users fell that the changes were rather down-graded than up-graded.

Canon decided to replace the G7 with the 12.1 megapixels G9 in August 2007. Sold at the same price of the PowerShot G7, the G9 came with the RAW mode, a slightly larger sensor, 12 megapixels, Enhanced Face Detection, Auto ISO Shift and the compatibility with ST-E2 wireless flash transmitter. From this point, the PowerShot G series brought the much loved large aperture down to f/2.8 – f/4.8. The G9 gained a three inches, 230,000 pixels LCD screen but loss the flip out & tilt feature. The Canon PowerShot was sold for 480 USD.

The Canon PowerShot G10 was introduced on September 17, 2008 at the price of 456 USD. It’s the third incarnation of Canon’s flagship digital compact cameras since the G series was reinvented in 2006 with the G7. The G10 built on the successful concept of the G9 with the handling and control refined, the LCD resolution was improved, plus an useful AE compensation dial and a wider lens was replaced the 35-210mm (35mm equivalent). A joy to use, but the G10′s image quality wasn’t any better than any other digital compact on the market at the time.

On Aug 19, 2009, photographers around the world got the first glimpse of the Canon PowerShot G11, a successor to the G10. This time, Canon decided to reduce the pixel count from 14.7 to 10 megapixels. They sacrificed the low ISO resolution for better performance at higher settings. The G11 combined some of the best compact camera image quality with excellent levels of manual control, flip-out screen, raw capability, superb battery life, flexible lens range and the ability to mount dedicated flashguns. Selling price was 440 USD.

Canon PowerShot G12 was introduced on September 14, 2010. Inheriting most of the core features of the G11, the latest model featured the addition of an EOS-style front control dial, Hybrid IS for close-up work, and 720p HD video recording. Canon also added multi-aspect ratio shooting and SDXC card compatibility. The rest of the Canon PowerShot G12 features remained the same including a 28-140mm equivalent lens, 2.8″ tilt and swivel LCD, manual control and RAW shooting. Street price was 565 USD.


Trained Shooters

Combat Camera Unit. © Laurence Chen

“When U.S. Special Forces carry out missions around the world, they sometimes bring along Combat Camera units. These exist in all branches of the military, capturing both video and stills to document operations from beginning to end.” Laurence Chen, Pop Photo.

Nikon D700 equipped with a Nightstalker II. © Laurence Chen

I didn’t know the Combat Camera units existed until I ran across Chen’s interesting article on Life as a US Military Photographer Pop Photo’s website. These units were trained in both video and still photography for at least four months after their combat training classes. These warriors were ready for action in any kind of weather and environment. “Unlike embedded photojournalists, who are independent and unarmed even when traveling with and documenting military personnel, Navy Combat Camera servicemen and women can integrate with elite special-forces units,” Chen reported.


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